It has been 25 years, but Mumbai has not yet revived from the blood-splattering death of 41-year-old music mogul and film producer Gulshan Kumar, founder of the Super Cassettes Industries, now famous as T-Series. Kumar was gunned down on August 12, 1997.
The religious man that he was, Kumar was outside the Jeeteshwar Mahadev Mandir in Andheri West, Mumbai, when contract killers Daud Merchant alias Abdul Rauf and his brother Rashid Merchant shot him down. Kumar who started out as the maker of audio cassettes and then went on to build a music empire, succumbed to the 16 bullets on the spot.
Shockingly, one of the main accused was music composer Nadeem Akhtar Saifi of the well-known Nadeem-Shravan duo, who had famously composed hit numbers for films such as 'Aashiqui', 'Saajan', 'Sadak', 'Dil Hai Ke Manta Nahin', among several others under the T-Series label.
The Mumbai Police, in their 400-page charge sheet named 26 people, including Nadeem and Ramesh Taurani, co-owner and managing director of Tips Industries; as co-conspirators.
According to the charges laid out by the Mumbai Police then, Nadeem paid for the murder of Kumar because of a personal dispute over his album 'Hai Ajanabi'. Nadeem felt Gulshan Kumar did not give proper publicity to the album, while in the music producer's opinion, the album failed because of Nadeem's below-par tonal quality as a singer.
The police claimed Nadeem had paid Abu Salem for the assassination, who was anyway plotting to kill Kumar in tandem with Dawood Ibrahim as he had refused to pay protection money to the D-Company.
Nadeem vehemently denied the charge, claiming he was vacationing in London at the time of the killing, and then slipped away to the British capital, where he continues to live, despite several attempts to get him extradited. The police, meanwhile, were more focused on the D-Company, which was then at the pinnacle of organized crimes in Mumbai.
Taurani, who was finally exonerated by the Bombay High Court last year, was upset with Gulshan Kumar because, according to the police who based themselves entirely on the accounts of two witnesses, he was undercutting prices so sharply that Tips was experiencing heavy losses.
Ironically, 1997 was a very good year for Tips because of the success of 'Daud', 'Gupt', and 'Pardes'. The music for 'Pardes' was composed by Nadeem-Shravan. And the music label's biggest hits of 1996 -- 'Raja Hindustani', 'Jeet' and 'Saajan Chale Sasural' -- were all composed by the duo, according to contemporary news reports.
The Gulshan Kumar murder trial began in June 2001. The Mumbai Sessions Court Judge, M.L. Tahilyani, who had later sentenced Pakistani terrorist Mohammed Ajmal Kasab to death for his role in the 26/11 attacks, sentenced Rauf to life imprisonment for killing Kumar.
Twenty years later, on July 1, 2021, the Bombay High Court upheld Rauf's conviction. Rashid Merchant, his brother, who was acquitted by the lower court, was also sentenced to life, but Taurani was exonerated.
As for Nadeem, in an interview with 'ETimes', he stated that the charges levelled against by the Mumbai Police and Gulshan Kumar's younger brother, Kishan Kumar, were a conspiracy to frame him. He pointed out that every possible court, from the Mumbai Sessions Judge to the UK High Court, had "confirmed that there wasn't an iota of evidence against me". The fallen composer added: "It was a pre-emptive desire to name and frame me. I was persecuted and targeted."
Nadeem last composed the track 'Aankhon Mein Aansoo' for the commercial and critical dud 'Ek Haseena Thi Ek Deewana' (2017), while his creative other half, Shravan Kumar Rathod, died from Covid-19 complications at the age of 66 in Mumbai's S.L. Raheja Hospital on April 22, 2021.
It's been 25 years since Gulshan Kumar was killed in cold blood for not succumbing to the demands of extortionist ganglords. The entertainment industry has substantially cleaned up its act in the intervening years, but Sidhu Moosewala's killing shows that all is still not well in the grey area where the world of entertainment collides with the forces of extortion.
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